Weaving Tallit

Some projects just have their own timetable. Apparently, this is one of them.

April 2017 – Loom set up since October 2016.

I wanted to weave more painted warp tallit, so I ordered linen yarn for the warp. That was in May of 2014.

Finally got started at the beginning of Oct. last year (2016). Wound the warp, dyed it and got it on the loom in about 2 weeks. My goal was to have at least one woven by the Seattle Weavers’ Guild sale at the end of the month. With barely a week before the sale, I realized it wasn’t going to happen, and if I tried, it would be rushed, and I wouldn’t enjoy the process. Totally not the right energy to be putting into a piece of sacred cloth.

Life happened, so it wasn’t until the beginning of April that I started weaving – Yay! Finished weaving in the header and discovered that the tension on the warp was uneven. Not good, especially with a linen warp since linen has virtually no stretch. Discovered that at the end of the warp, there wasn’t any packing on the warp beam. So, un-wove everything, un-lashed the warp, re-rolled the last yard or so, re-tied on, and got it back to the same point it was when I started that evening. More ‘Life Happening’, and so it sat again.

June 2017 – Loom set up after adjusting the warp tension in April. Ready to start again.

Last night, I started weaving! So, to keep this project moving along, I’m going to post progress pictures of the day’s weaving as I go along. I’ll post them on my Facebook page, and then do a weekly summary on this blog. Hope you enjoy watching the progress. So here we go!To secure the end of the weaving, I do a type of hemstitching. It essentially creates a row of twining at the beginning so it won’t unravel. Using a long tail of the weft, you go over one warp thread and then diagonally under the next one locking the weft yarn in place.First 10 inches of weaving done. Warp is a 20/2 linen sett at 24 epi. Piece is 27” wide, so there are 648 warp ends. The main weft is a 20/2 silk yarn. The blue and purple are 8/2 Tencel. Note: before doing the hemstitching, wove in more header to the beginning of the dyed part of the warp (no photo).

Close up of the weaving.

Peeking and slowly crawling out of the ‘spiritual closet’.

Having spent most of my life hiding from myself and/or the world, posting on this blog is a big step for me. I’ve been searching most of my adult life for meaning, connection and trying to figure out what my purpose is during this lifetime.

In my 20’s I began meditating, and was a disciple of Sri Chinmoy for a short while. That was followed reading by a lot of books on a variety of mostly New Age subjects. Then about 10 years ago, I started studying Wicca as well as going back to my Jewish roots and discovering that there were more similarities than differences between the two. During this time I became involved with the Women’s Torah Project and was looking for a deeper connection with the Divine Feminine. My reading now included anything I could find on Shekhinah.

In the Fall of 2015, I stumbled upon the Kohenet Hebrew Priestess Training Program. It is described as ‘Earth Based, Embodied, Feminist, Judaism. I sat and read every page on the website. When I got to the bottom of the page describing the 13 priestess paths I was blown away. One of the Paths is The Weaver.

Oreget: The Weaver
    The Weaver weaves in the Temple to honor the Divine feminine. What she weaves are batim or “houses”—tapestries, garments, or maybe worlds. Like the Fates, the oreget weaves space, time, and soul together. She embodies the connectedness of all things. It is she who integrates and connects the many threads of the world. We see her in the women who spun the goats’ hair for the Tabernacle. Her gifts are the weaving of legends, interpretations, rituals and traditions, as well as weaving, sewing, writing, and all the creative arts. She watches over all activities that bring disparate elements together.

My first thought was “I’m not crazy!” I was awed, humbled, thrilled, amazed, excited, blown away. My path was real, not some crazy thing I was dreaming up. They were describing me. Some of the ideas could have been taken from my artist statement. And literally, I am a weaver.
     Artist’s Statement – March 12, 2013: “Spirituality and connections. These are the focus of my current work in mixed media and fiber art. The underlying philosophy of my world view is that all things are connected in some way. Finding those connections by juxtaposing objects or ideas fascinates me and through this searching, I look for ways to understand our place in the cosmos. My goal is to create art with a spiritual focus or for a spiritual use, with the hope that this work will foster the viewer or user’s sense of connection to that which is greater than our individual selves. Art that celebrates the threads of spirit that connect us all.”

I promptly signed up for their newsletter, and in a few months, they announced they were taking applications for two new cohorts, one on the East Coast, and one on the West Coast. I finally got my application in, and was accepted. I went to the first week of training in January 2017 still not entirely sure about this, it sounded so cool, but what in the world would I do with this? By the middle of the first full day, heading to the dining hall I knew, “I’m home”.

Central altar at the end of the week for Shabbat.