Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

Use one of the Club’s 4-harness looms or bring your own table loom. No experience necessary.

4 week class – Dates: Jan. 15, 22, 29, Feb. 5th, 2019

Please pre-pay in order to guarantee a spot in the class. You can register over the phone by calling (206) 283-1090 or via email to rsvp@swedishclubnw.org.                             Class Fee: $109 for club members, $132 for guests

Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: Nov. 13, 27, Dec. 4, 11 (skip 11/20 Thanksgiving week)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 10/16, 10/23, 10/30, 11/6 – 6:30 – 8:30 p.m.

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – week 4

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9 6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – week 3

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9 6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – week 2

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9 6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9  –  6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Weaving Tallit

Some projects just have their own timetable. Apparently, this is one of them.

April 2017 – Loom set up since October 2016.

I wanted to weave more painted warp tallit, so I ordered linen yarn for the warp. That was in May of 2014.

Finally got started at the beginning of Oct. last year (2016). Wound the warp, dyed it and got it on the loom in about 2 weeks. My goal was to have at least one woven by the Seattle Weavers’ Guild sale at the end of the month. With barely a week before the sale, I realized it wasn’t going to happen, and if I tried, it would be rushed, and I wouldn’t enjoy the process. Totally not the right energy to be putting into a piece of sacred cloth.

Life happened, so it wasn’t until the beginning of April that I started weaving – Yay! Finished weaving in the header and discovered that the tension on the warp was uneven. Not good, especially with a linen warp since linen has virtually no stretch. Discovered that at the end of the warp, there wasn’t any packing on the warp beam. So, un-wove everything, un-lashed the warp, re-rolled the last yard or so, re-tied on, and got it back to the same point it was when I started that evening. More ‘Life Happening’, and so it sat again.

June 2017 – Loom set up after adjusting the warp tension in April. Ready to start again.

Last night, I started weaving! So, to keep this project moving along, I’m going to post progress pictures of the day’s weaving as I go along. I’ll post them on my Facebook page, and then do a weekly summary on this blog. Hope you enjoy watching the progress. So here we go!To secure the end of the weaving, I do a type of hemstitching. It essentially creates a row of twining at the beginning so it won’t unravel. Using a long tail of the weft, you go over one warp thread and then diagonally under the next one locking the weft yarn in place.First 10 inches of weaving done. Warp is a 20/2 linen sett at 24 epi. Piece is 27” wide, so there are 648 warp ends. The main weft is a 20/2 silk yarn. The blue and purple are 8/2 Tencel. Note: before doing the hemstitching, wove in more header to the beginning of the dyed part of the warp (no photo).

Close up of the weaving.

Winding a Warp – Towel exchange

Towels_warpHello again. It’s been a busy almost 2 years since I last posted here. In the meantime, I started an e-newsletter and have been posting on my Facebook page, so my writing efforts have been appearing in those venues. Part of the reason it’s been so long is I ran into the proverbial writers block in my art story. Time to start on a different theme.

This coming September I will start teaching weaving at the Swedish Club in Seattle. I have been thinking about doing a series of posts on fiber processes so I decided to start with a few on weaving. These posts can be an introduction and a resource for my students.

The other kick in the rear I got is recently my husband’s cousin told me she has plans to start a sewing blog. We challenged each other to post something before our next family gathering in mid September. So here we go.

A couple of years ago I participated in a handwoven towel exchange project through the Seattle Weavers’ Guild. Having had the idea of writing a series of ‘how to’ posts, I’ve occasionally been taking process pictures of the projects I’m working on. The series of photos from this project includes most of the steps for setting up a loom.

I started with these 2 cones of 8/2 matte cotton yarn.

I started with these 2 cones of 8/2 matte cotton yarn.

So what is a towel exchange? Each participant wove a number of towels and brought the finished towels to a meeting. We drew numbers and took turns picking out other weaver’s towels. We all went home with the same number of towels, just they were ones woven by someone else.

Setting up a loom – Step #1 – Winding the warp

The warp are the lengthwise yarns that are under tension on the loom. After you decide the size of the finished cloth, you calculate the number of warp threads (or ends) and the length you’ll need. This project needed a total of 480 ends, each 12 yards long for a total of 5,760 yards. Which for this yarn was about 1.7 pounds.

Towels_warping_board

Warping Board

In the photo above and the video below, you see the threads being wound on a warping board. The pegs are 1 yard apart making it easy to get the length you need. Towels_warp_cross

At the top are two extra pegs that allow you to form a figure ‘8’ called a ‘cross’. A yarn is tied through the spaces to maintain the ‘cross’ which helps to keep the threads in order while putting them on the loom.

Towels_partial_blue_cone

The blue warp threads have all been measured and cut but none of the white warp has been wound yet. Used over half of the cone.

After you finish winding a section of the warp, in this case 2″ worth, you need to chain the warp bundle. It’s done the same way you make a chain in crochet, just using your hands. Start at the end away from the cross and continue until you have “chained” the warp to the tie for the cross. This will keep the warp threads from getting totally tangled up.

Towels_warp_chains

The warp is chained and now ready to be put onto the loom. Note how much yarn is left on the cones.

So if you are inspired to learn how to weave, my beginning weaving class starts Tues. Sept. 13th and meets from 6:30 to 8:30 pm. The registration form is available HERE.

Next post will be about threading the loom.

 

“Pulling Spirit into Daily Life”

It was the third and last quarter of the certificate program, and time to start on our final piece that would be in our class show. After the harsh critique of my last piece, I wanted to ‘redeem myself’ and make a better one. Rather than starting with a new concept, I decided to continue working with the same subject. The second result was way more successful in expressing the ideas I had. During my meditations prior to the first piece (along with the words “pulling the threads of spirit into our daily lives”) I saw the juxtaposition of two different types of textiles connected with threads or yarn. The felt would represent the spirit world that is often only sensed with an intuitive feeling. The woven piece, with it’s gridded pattern, would illustrate the regulated structures of daily life and the human penchant for categorizing and labeling everything. Adding the connecting threads would open the possibility to begin merging the two worlds.
Pulling Spirit detail 2smOne of my goals for the certificate program was to find a focus for my work. While working on this piece I realized that I had found it. A lot of artists focus on a specific technique and/or subject matter. For me it’s the concept and ideas behind the piece not the technique that is my focus. And overall, it is the Spiritual aspect that has become the primary focus for my work.
This piece is the second in what will eventually be a triptych. The third piece will be “The Spiritual Life”. Looking back, these pieces were representative of my own journey. I needed to make “…Awakening to Spirit” first, as it reflected my past. When I made “Pulling Spirit…” it showed where I was on my path at that time. I started to prep the fleece for the base of the third piece, but that’s as far as I’ve gotten on it. The compelling need to work on it again hasn’t happened yet. I’m still pulling those threads of Spirit into my daily life. When it’s time, I’ll make that third piece.