The Restructuring – Part 2

This post, and this project, are both heavy on process. Figuring out how to make this work, putting in the hours to make it happen, and sticking with, it I see as parallel to the changes that need to happen in society. Hopefully this won’t be too full of weaving ‘geekiness‘ so non-weavers will understand it. There are LOTS of pictures!

I finished weaving the very first part of the piece by the beginning of Passover (4/9). Then it was time to start shifting the tablet weaving warps around. First step was to split the center band.

To be able to move the tablets in the reed, I needed to re-chain the warps. I spent one evening just switching the warps from 40 tablets in the center band from a single chain, into 20 chains, each chain having the warps from just 2 tablets.

About 5 hours later, the tablets were moved, and it took another day to weave “Time to Share”.
(I have only been sporadically keeping track of the time I’m spending on this project.)

That evening I re-chained up the warps for the side bands into chains for each individual tablet. Once that was done, I realized that I actually needed to chain up the warps for the center band into individual tablets as well.

Before I started the process of spreading out the tablets, I decided to rearrange them so the threads would make diagonal lines.

I wove 4 picks in the new configuration and then the ‘fun’ began. I started with 3 tablets on either side of the center bands, and moved them over 2-4 spaces in the reed. To do this, I need to unweight the warp chains, then one tablet at a time, I pull the warp threads & tablet out of the reed, move them over 4 spaces and them pull them back into their new space. The warp chain has to go between the heddles in the correct spot (or I won’t be able to get a shed and pass the shuttle through).

This is probably the most intense piece I’ve ever done / worked on. As the world is unraveling I am slowly changing the the structure of this cloth. One tablet at a time, I pull the warp threads & tablet out of the reed, move them over 4 spaces and them pull them back into their new space, over and over again. Once the group of cards are in there new locations, the warps need to be re-weighted and the tablets aligned with the base warp. Everything has to be in exactly the right place to be able to get a clear shed. I weave 8 picks (weft threads – passes of the shuttle) then start the moving process again.

When the warps from the center band met the warps from the outer bands, it got even more challenging (interesting?). Now I had to decide how those warps were going to cross and the pattern of moving each tablet 2 empty spaces in the reed (4 dents) didn’t work as they crossed. Took some time to figure those challenges out. Made me think about how do we spread out the wealth in society, as well as how we re-integrate people who have been marginalized. What happens when those two movements intersect?

The photo on the right is how far I got after working on this for 2 weeks. The next step was to start spreading out the side bands. There were about 3 more moves and the first tablet from the edges will finally make it into the center of the cloth. Once most of the tablets have reached their new spot, I’ll start taking the warps out of the tablets and threading them into the waiting heddles.

Most of this post was written on April 28th. As of today (May 13), I’m still working on this project. I have just started removing tablets (4 so far) and threading those warps into the base cloth. I still have a couple more moves to get all of the tablets in the order I want them. More posts to come…

To see more progress pictures:
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The Restructuring – part one

As the Covid-19 pandemic really started impacting our lives and the stay at home order was given, another one of my ‘fiber-brained’ ideas hit. I’ve been working on this project for about 6 weeks or so and I’m probably about 3/4 done with the 2nd part. This has become a very involved project, so I’m going to be posting about it in stages. Much of this first post was written at the beginning of April when I had the loom set up and had just started weaving.

So, what am I doing?
I’m weaving an art piece that combines tablet weaving into a loom woven cloth. The goal / plan is to start with the fabric set up one way and then gradually restructure the cloth.

Inspiration
The Covid-19 pandemic is clearly showing, to anyone paying attention, the many things in our human world that do not work. It is also showing us how we are all connected. Wealth and power are concentrated in the hands of the few. Huge numbers of people, especially people of color and folks who don’t fit the dominant culture’s norms, have been marginalized. The result is a threadbare society where it is far too easy for people to fall through the cracks. This fabric is not very functional or sustainable.

It is time to weave a new cloth.
How do we do this? The simplest thing is to start over. Cut the old warp off the loom and put on a new one, simple, yet totally disruptive. Do we really want to throw out everything about our current society, and try and start over from scratch? It would mean massive sudden change, and could cause chaos, revolutions, and wars.

I am attempting a different process.
I have set up my loom with a foundational warp that is very sparse – 1/2 the number of warp threads per inch than usual for the size of the yarn. Added to this are 3 tablet woven bands. In the center is a green and yellow/gold one. On each side is a grey and tan band. the same yarn as the background warp. The center band will have a $ sign and the word “POWER” then “TIME TO SHARE”. One of the edge bands will say “FEAR – LACK” ➔ “ABUNDANCE”. The other will say “OPPRESSION” ➔ “LIBERATION”. This beginning represents our current society.

Sample bands woven to test out how the letters would look.

Weaving both traditional cloth and tablet weaving (two completely different structures and techniques) is going to be challenging enough. Then comes the really tricky part. My plan is to gradually spread out the threads from the bands across the warp. Eventually they will be removed from the tablets and incorporated into the background cloth. (I left heddles spread between the background threads.) I cut a nine yard warp, so after the transition is complete, there should be enough warp to weave nine hand towels, sturdy functional cloth, to represent the society we want to create.

I think this is going to work, though I’m not entirely sure how. Normally the warp is set up on a loom and you don’t change it. If the weaver wants to change the look of the cloth, they can easily change the weft or possibly the treadling, but the warp, the underlying structure of the cloth, doesn’t change.

The underlying structures of society need to change so everyone’s basic needs are met and they have the opportunity to learn, grow, and become the best version of their true self. How do we get there? I am sure there are a myriad number of answers out there. Some may be simple and / or quick. Others will be complex, and many will certainly take time. And I expect shifting the 272 warp threads (68% of the total) into new positions will be all of the above. My goal is to get the 1st section woven by the beginning of Passover. (I finished this part on 4/9 the first day of Passover.)

I’m probably crazy to be attempting this project. I am also feeling very compelled to do it. It is time to share, it is time to weave a new cloth of society. Wish me luck and wish us all success in weaving a better world.

Notes:
5 colors of warp x 80 ends each = 400 ends
160 Dark green and Yellow/gold – 8/2 tencel – shiny – Represents wealth / money / power
240 Gray & tan – cottolin & white cotton – humanity
Weft – olive green cottolin – represents life / earth / spirit – connects everyone
10 dent reed – beginning background cloth 10 epi, when restructuring done, it will be 20 epi.

To see more progress pictures:
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Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

Use one of the Club’s 4-harness looms or bring your own table loom. No experience necessary.

4 week class – Dates: Jan. 15, 22, 29, Feb. 5th, 2019

Please pre-pay in order to guarantee a spot in the class. You can register over the phone by calling (206) 283-1090 or via email to rsvp@swedishclubnw.org.                             Class Fee: $109 for club members, $132 for guests

Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: Nov. 13, 27, Dec. 4, 11 (skip 11/20 Thanksgiving week)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 10/16, 10/23, 10/30, 11/6 – 6:30 – 8:30 p.m.

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – week 4

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9 6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – week 3

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9 6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – week 2

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9 6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Beginning Weaving @ Swedish Club – 4 week class

From yarn to finished cloth, learn the fundamentals of this ancient craft. By the end of the class, students will know how to plan a project, set up a loom, weave the cloth and ways to finish it. Basic weave structures, types of yarn, fiber properties, weaving terminology, equipment, and other related topics will be covered. The first project will be a sampler exploring basic weave structures.

4 week class – Dates: 9/11, 9/25, 10/2, 10/9  –  6:30 – 8:30 p.m. (Note: no class on 9/18 – Yom Kippur starts that evening.)

To register, contact the Swedish Club – $89 for club members, $112 for guests

Weaving Tallit

Some projects just have their own timetable. Apparently, this is one of them.

April 2017 – Loom set up since October 2016.

I wanted to weave more painted warp tallit, so I ordered linen yarn for the warp. That was in May of 2014.

Finally got started at the beginning of Oct. last year (2016). Wound the warp, dyed it and got it on the loom in about 2 weeks. My goal was to have at least one woven by the Seattle Weavers’ Guild sale at the end of the month. With barely a week before the sale, I realized it wasn’t going to happen, and if I tried, it would be rushed, and I wouldn’t enjoy the process. Totally not the right energy to be putting into a piece of sacred cloth.

Life happened, so it wasn’t until the beginning of April that I started weaving – Yay! Finished weaving in the header and discovered that the tension on the warp was uneven. Not good, especially with a linen warp since linen has virtually no stretch. Discovered that at the end of the warp, there wasn’t any packing on the warp beam. So, un-wove everything, un-lashed the warp, re-rolled the last yard or so, re-tied on, and got it back to the same point it was when I started that evening. More ‘Life Happening’, and so it sat again.

June 2017 – Loom set up after adjusting the warp tension in April. Ready to start again.

Last night, I started weaving! So, to keep this project moving along, I’m going to post progress pictures of the day’s weaving as I go along. I’ll post them on my Facebook page, and then do a weekly summary on this blog. Hope you enjoy watching the progress. So here we go!To secure the end of the weaving, I do a type of hemstitching. It essentially creates a row of twining at the beginning so it won’t unravel. Using a long tail of the weft, you go over one warp thread and then diagonally under the next one locking the weft yarn in place.First 10 inches of weaving done. Warp is a 20/2 linen sett at 24 epi. Piece is 27” wide, so there are 648 warp ends. The main weft is a 20/2 silk yarn. The blue and purple are 8/2 Tencel. Note: before doing the hemstitching, wove in more header to the beginning of the dyed part of the warp (no photo).

Close up of the weaving.